Warp and Weft, The Tishman Review (Vol 4/2)
I write about brokenness and beauty in people and relationships—the flawed, the unfinished, the transitory—and the glimmers of light that shine through the cracks, illuminating human lives. I’m observant as hell, and I write truth, unvarnished, the way I see it.
Readers describe my fiction as character-driven, stoked by mischief, alive with a sly awareness. In creative nonfiction I explore hybrid forms including lyrical and visual essays, prose poems, and short-form memoir. Themes of particular interest to me include family dynamics, mother-daughter relationships, and the effects of physical and psychological trauma on the shape of a life. To these subjects I bring deep attention and lucid, sensory writing that aims to connect with my readers through our shared human experience.
My work has been published in literary journals, anthology, and podcast in Canada, the United States, Australia, and New Zealand. Author Helen Humphreys chose my essay “Foreign Object” as winner of the CNFC/Humber Literary Review creative nonfiction contest. My short story “Warp and Weft” was nominated for Best Small Fictions 2019 anthology. I was a finalist in the Writers’ Union of Canada‘s 25th Annual Short Prose Competition for Emerging Writers and received an honourable mention in the 44th New Millennium Writing Awards. I am currently at work on a novel and a memoir.
Born in Sydney, Australia, I spent part of my childhood living in a hundred acres of rainforest, sans electricity. There, instead of attending school, I read books and roamed the bush, my pockets bulging with baby potatoes and a box of matches so that on long walks I didn’t go hungry. The smell of woodsmoke and the taste of charcoal still transport me back to that time of perfect freedom.
Home, to me, is far more complex than a point on a map; it’s a locus within, not without. I’ve lived in Australia, South Africa, New Zealand, and Canada. Vancouver Island is where I write now.